And tracking and masking takes seconds with the addition of an Area Brush tool to integrated Mocha.Ĭontinuum 2020 features 6 brand new drag and drop transitions for editors looking to spice up their sequences. You’ll work even more efficiently with Particle Illusion and Title Studio’s new functionality and updated interfaces. Key new features include 4 effects, 6 transitions, and nearly 100 professionally-designed presets. New! Title Studio: updates include new professionally-designed preset templates, new materials & shaders, and overall interface improvements to work fasterĬontinuum 2020 is the latest major release of the post-production industry’s most comprehensive plugin collection.New! Particle Illusion: updates include new professionally-designed emitter, improved search, and tons of new time-saving functionality.New! Mocha Area Brush: Track and mask faster using paint-like gestural strokes.New! Transitions: Add 6 more slick auto-animating transitions with on-screen controls to your toolkit New in Continuum 2020: Curl Dissolve, Colorize Glow Dissolve, RGB Displacement Dissolve, RGB Blur Dissolve, Kaleidoscope Dissolve, and Prism Dissolve.New! Curl Effect: Instantly create auto-animating heat haze, surface drops, and curlycue distortions.New! Cast Shadow Effect: Easily generate true 3D cast shadows with a built-in 3D camera and light system.New! Reflection Effect: Quickly generate mirror surface reflections.New! Corner Pin Studio: Simplify screen inserts and more with built-in Mocha planar tracking and integrated color correction, light wrap, and drop shadow.Pro's: Extremely powerful application good interface for prosĬon's: Too complex for casual use not quite complete for high-end useĬonclusion: Worth a try, but most people may find another product more suited to their needs and budget. While you may save some money buying this, it could be a false economy. It's also not quite as smooth to use as some industry standard rivals and is missing a few features available elsewhere. For example, there are very occasional crashes that would be bearable in consumer use, but won't be acceptable for those working commercially. With this in mind, expectations inevitably become higher and that's where Sony Vegas Pro starts to fall a little short. Although there are some useful interactive tutorials, the sheer volume of on-screen options is likely to be offputting for anyone without a decent level of experience of editing to professional standards. Overall, Sony Vegas Pro is very much aimed at the professional end of the market. There's also an excellent on-screen display system that can be easily customised to fit in with your preferred method of working and the particular tools and clips you have open at any time. It takes a comprehensive approach, not only working with footage from dedicated 3D cameras, but allowing users to work with 2D clips via a stereoscopic effect. The big selling point of Sony Vegas Pro is the introduction of 3D support. The problem is that most users will fall into two camps, those who want the absolute best, and those who want the cheapest decent option, and this product falls into neither category. The features it has work well, and there's not really anything inherently wrong with it. Sony Vegas Pro is a victim not of production but of positioning.
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